In the RAND collection we have found inspiration in the Scandinavian aesthetics and looked closer at the capitals Stockholm, Copenhagen, Oslo and Helsinki.
As we worked on the RAND collection, the design team looked to Scandinavian aesthetics for inspiration. We added an urban beat to give a tempo to the collection, and looked closely at the Scandinavian capitals of Stockholm, Oslo, Copenhagen and Helsinki. The clean architecture, the wide horizons, the green oases and the cities’ closeness to water came together in four creative, striped designs which set the tone.
When we created the RAND collection, our aim was to produce a crisp, Scandinavian look which will work well as a base in many homes. The light, clean expression is a common theme, and we have used colours as effectively as possible. Stripes can be used anywhere, from narrow hallways to spacious living rooms. It’s a look where the elegant touch meets modern colourways in tune with the zeitgeist.
Not surprisingly, we love seeing walls covered in patterns. But sometimes, there can be too much of a good thing, even when we ourselves are decorating. Who doesn’t dream of a harmonious home, where the interior blends together and has a common theme, without being boring and lifeless. Here, we are trying to explain the concepts and show how classic striped wallpaper can be used to create a stunning contrast to beautiful patterns.
We have noticed that an increasing number of people are becoming more daring in their approach to decorating their homes, looking for a personal style beyond the bright and breezy. Here is our shortlist of 5 wallpapers with strong patterns and colours, ideal for the look you’re aiming to create.
Enthusiastic and friendly meetings, laughter and tears of joy – that was the backdrop to our work as we developed the Signatur wallpaper collection. This makes the warmth that greeted the launch of the collection and the work of Joy Zandén, Lillo Wikstrand, Ylva Källström-Eklund and Dagmar Lodén extra special.
Do you live in a 50s home, and want to retain the style, or are simply in love with the colours and patterns from that period? Plastic was big, and wear it out and throw it away was the slogan.
In interior decor, the in-materials included marble (Kolmård marble), plastics, mosaics and linoleum in check patterns or beautiful parquet floors in oak. Exotic woods were a major trend, such as mahogany and teak. Even door handles for interior doors were in teak. Design was often straight and unadorned. The walls were decorated with colourful wallpaper, frequently in floral patterns or a more restrained and graphic style.
Dagmar Lodén (1904-89) was a well-known artist, textile and interior designer. She was a talented painter in oils, with a delicate touch. Jointly with her husband, Kalle Lodén, she received several public commissions in Stockholm in the 1930s. When Kalle died, at the early age of 39, Dagmar moved with their two children and her mother to the town of Leksand in the province of Dalarna, where an artists’ colony had grown up around the Jobs sisters, creators of amazing patterns.
Ylva Källström-Eklund (1933-88) was born in Stockholm. Her father worked as a manager in the pharmacy sector, while her mother was a housewife in the newly-built functional-style family home. Ylva started drawing as a young girl, and submitted her drawings to newspapers and competitions. In the 1950s, she studied at the Beckman School of Advertising and worked as an advertisement artist. This was the time of school band jazz, when young musicians recreated the New Orleans jazz of the 1920s with the enthusiasm of punk rockers. It was the time of batwing chairs, army duffle coats and dreams of Paris.
Lillo Wikstrand (1911-95) was born in Stockholm, but spent her first nine years in India, where her parents worked as missionaries. Lillo’s mother, Gertrud, loved handicrafts and Lillo grew up surrounded by embroidery. Thread yarn was sent from India to Lillo’s aunt, Elisabet Wisén-Jobs, who was famous in Sweden for her flower embroideries. The meadow flowers of Sweden were particularly close to Lillo’s heart. She trained as a physiotherapist, but her passion was embroidery.